Seobok – Fantasia 2021

seobok

An ex-intelligence agent is tasked with transporting the world’s first human clone in . Min Ki-Hun () is a former intelligence agent currently suffering from a terminal brain tumor. Ki-Hun is tracked down by his old boss Chief Ahn (), who wants Ki-Hun to do one last job for “the company.” Sent to a lab aboard a ship, Ki-Hun is introduced to Seobok (), an immortal clone created by Dr. Lim (), whose stem cells can cure Ki-Hun’s cancer. However, while traveling with Seobok to a top-secret location, Ki-Hun’s transport is attacked by mercenaries and he has to protect Seobok and get the clone to safety.

Seobok is a Korean sci-fi/action film written and directed by Lee Yong-ju. The film stars Gong Yoo (Train to Busan) as Min Ki-Hun, a former intelligence agent with only six months to live, who is regretting the decisions he made in the past. In one final mission, Ki-Hun is tasked with protecting the first human clone Seobok, who is not only immortal but also sports telekinetic abilities. However, with a group of mercenaries wanting Seobok dead, it is up to Ki-Hun to protect him, if only so Seobok’s stem cells could be used to cure Ki-Hun of his brain cancer.

The plot of Seobok includes the ethical questions that arise from both human cloning and the consequences of immortality, with the titular Seobok described at many points of the film as not being truly human. However, the film is ultimately about building up to its climactic action sequence, which includes Seobok going “full Carrie” and using his telekinetic abilities to fight back. While the climax is somewhat enjoyable, it comes at the end of a film that is perhaps a bit too long for what it is.

Affiliate Ad

Seobok is streaming as part of the virtual 2021 Fantasia Film Festival


Related Links

Trailer for Seobok – Fantasia 2021

61d8717dbd737f197e83017f9202a5ce?s=96&r=pg

Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

Scroll to Top