Into the Inferno

intotheinferno

intotheinferno

teams up with scientist Clive Oppenheimer to explore the world’s volcanoes in . Ten years ago, Werner Herzog met volcanologist Clive Oppenheimer while in Antarctica working on his doc Encounters at the End of the World. Together they reunite to explore active volcanoes around the world, particularly focusing on the mythology expressed by the locals.

Into the Inferno is in many ways a defacto follow-up Werner Herzog’s Academy Award nominated film Encounters at the End of World, since it was the beginning of Herhoz’s relationship with Clive Oppenheimer, who is the primary on-screen subject of this film. While the film does feature much footage of volcanic activity, it turns out that Herzog is a lot more interested in chasing the “magical side” of volcanoes, with the film featuring many interviews with locals, who tell the stories of the spirits and demons that apparently reside in these forces of nature.

On paper, a documentary about volcanoes by Werner Herzog sounds like a great idea. However, in execution, Into the Inferno didn’t exactly turn out to be the film I was expecting. Herzog’s typical existential narration is downplayed in favour of the on-screen actions of , which is either too scientific or mundane, with me ending up quite bored throughout much of the film. That said, there is some great footage of volcanic activity and a few flourishes of the “Werner Herzog Volcano Documentary” I wanted Into the Inferno to be.

7 / 10 stars
7 1  FAIR  

Screenings

  • Sunday, September 18, 12:15 PM – Hot Docs Ted Rogers Cinema

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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