This weekend will see the release of Split, which is the latest film from writer/director M. Night Shyamalan. Shyamalan has been making films for nearly 25 year now, beginning with his self-financed 1992 debut film Praying with Anger. However, most would know the director for both the surprise success of The Sixth Sense in 1999, as well as his quick fall from grace, as his later efforts received poor reception from both critics and audiences.
It has now been 15 years since M. Night Shyamalan had an undisputed hit with 2002’s Signs and I think that it is time that audiences just lay off the man and let him make films that people can choose to see or not. Some of the things surrounding M. Night Shyamalan that I would like to see stop are:
Snickering in movie theatres whenever his name pops up in a movie trailer.
Sarcastically trying to guess what the twist in his films are going to be.
Purposely mispronouncing and making fun of the India-born Shyamalan’s name.
With people focused so much on diversity in movies these days, they should should respect the fact that M. Night Shyamalan is a non-white director, who found success. Whether or not you like his recent films, M. Night Shyamalan still received a Best Director Oscar nomination in 2000, long before the #OscarsSoWhite debate was even a thing. Sure, the Academy was probably caught up in the surprising success of The Sixth Sense in the summer of 1999, but you can still say that this Indian man raised in Philadelphia managed to be nominated alongside the likes of Sam Mendes, Spike Jonze, Lasse Hallström, and Michael Mann.
Even after M. Night Shyamalan fell out of favour with audiences, I never stopped going to his films. While some films I liked better than others, I can still unapologetically say that I am a fan of M. Night Shymalan. Why most most of the public probably doesn’t feel the same that I do and will likely end up skipping Split, just because of the name attached to it, I do think the time has come to stop mocking M Night Shyamalan and celebrate him as a non-white director, who has been allowed to make movies his way for a quarter of a century.
Sean Patrick Kelly
Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.
After suffering from one of the biggest film leaks ever, X-Men Origins: Wolverine is officially released to theatres. The critics haven’t been so kind to the film, as it only has a 38% Fresh rating on Rotten Tomatoes. At least it is better than the 26% Fresh rating received by the romcom counter-programing in the…
This year I participated in the third annual awards for the “Cinema Appreciation Society of Toronto,” made up of various film bloggers and semi-professional critics within the city of Toronto. Pretty much we pooled our individual top ten lists together to decide on the best films of 2012. The list is made up of any…
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UPDATE (Feb 12, 2019): Mere hours after this post went live, the Academy announced the four categories that would be presented during the commercial breaks, those being the ones for cinematography, film editing, live-action short and makeup and hairstyling. Not surprisingly, this caused a bit of an uproar, particularly in regards to cinematography and editing, since they are…
Over the past number of years, streaming and video on demand services, such as Netflix, iTunes, and Google Play, have become the dominant way that people watch movies and TV shows in their homes. With the exception of collectors like myself, people in general have moved away from physical media and have started watching their…
After suffering from one of the biggest film leaks ever, X-Men Origins: Wolverine is officially released to theatres. The critics haven’t been so kind to the film, as it only has a 38% Fresh rating on Rotten Tomatoes. At least it is better than the 26% Fresh rating received by the romcom counter-programing in the…
This year I participated in the third annual awards for the “Cinema Appreciation Society of Toronto,” made up of various film bloggers and semi-professional critics within the city of Toronto. Pretty much we pooled our individual top ten lists together to decide on the best films of 2012. The list is made up of any…
Here’s what’s playing this week. What I’ll Be Seeing: Finding Vivian Maier – Bloor Hot Docs Cinema Other Releases: X-Men: Days of Future Past – Wide Release (Toronto Film Scene Review) Blended – Wide Release The Love Punch – Cineplex Yonge and Dundas (Toronto Film Scene Review) Fading Gigolo – Select Cineplex Cinemas 112 Weddings…
This week I make my second appearance on The Dew Over podcast. This episode focuses on the 2002 Oscars, which was an episode that I particularly wanted to be on, since it gave me the opportunity to release twelve years of frustration over the Best Picture winner Chicago. This results in me becoming fully unleashed…
UPDATE (Feb 12, 2019): Mere hours after this post went live, the Academy announced the four categories that would be presented during the commercial breaks, those being the ones for cinematography, film editing, live-action short and makeup and hairstyling. Not surprisingly, this caused a bit of an uproar, particularly in regards to cinematography and editing, since they are…
Over the past number of years, streaming and video on demand services, such as Netflix, iTunes, and Google Play, have become the dominant way that people watch movies and TV shows in their homes. With the exception of collectors like myself, people in general have moved away from physical media and have started watching their…
After suffering from one of the biggest film leaks ever, X-Men Origins: Wolverine is officially released to theatres. The critics haven’t been so kind to the film, as it only has a 38% Fresh rating on Rotten Tomatoes. At least it is better than the 26% Fresh rating received by the romcom counter-programing in the…
This year I participated in the third annual awards for the “Cinema Appreciation Society of Toronto,” made up of various film bloggers and semi-professional critics within the city of Toronto. Pretty much we pooled our individual top ten lists together to decide on the best films of 2012. The list is made up of any…