Shrew’s Nest

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ShrewsNest An extremely complicated sisterly relationship is at the centre of this Spanish thriller, produced by Alex De La Iglesia.  Montse () is an agoraphobic and devoutly religious woman, who has acted as a surrogate parent for her younger sister ().  Montse is a somewhat mentally unstable person, who is haunted by visions of her father and is reluctant to let her sister, who just turned 18, come into her own as a woman.  When neighbour Carlos () injures himself in a fall, Montse takes it upon herself to care for the man.  However, Carlos’ presence slowly results in the fracturing of the sisters’ fragile relationship and the revelation of some dark secrets. is a film that can be tricky to classify under a single genre.  In some ways, the film is a drama about the relationship between these two sisters.  However, the film can also be described as a horror film, particularly in the grisly places the plot goes in the third act.  One obvious comparison to Shrew’s Nest is the 1990 thriller Misery, particularly in relation to the increasingly obsessive way Montse cares for the injured Carlos. Shrew’s Nest is somewhat structured like a play, since the entire film takes place in and around Montse’s apartment, with there only being a very small cast of characters.  The film is very much about the relationship between Montse and her sister, whose name is interestingly never said in the film.  Haunted by a past trauma, Montse is a very complex character, who simultaneously comes off as sympathetic and terrifying.  The relationship between the two sisters is quite close, even though Montse’s sister is constantly afraid of Montse’s dark side.  Altogether, Shrew’s Nest was an enjoyable thriller about this twisted sisterly relationship.8 | LIKED IT
Screenings:

  • Friday, September 5, 3:00 pm – Bloor Hot Docs Cinema
  • Sunday, September 14, 6:30 pm – TIFF Bell Lightbox 2

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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