Wasp Network
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Wasp Network – TIFF19


[imdb style=”white”]tt6760876[/imdb]

Cuban dissidents are sent to the U.S. to spy on anti-Castro terrorist organizations in . In late-1990, airline pilot René González () steals a plane and fleas Cuba to Miami, leaving behind his wife Olga () and young daughter. He is soon joined by fellow Cuban exile Juan Pablo Roque (), who quickly romances his cousin’s friend Ana Margarita (). Both René and Juan Pablo both begin doing jobs for the activist organization Brothers to the Rescue, the goal of which is to liberate Cuba from ‘s communist regime. However, it soon turns out that both René and Juan Pablo are part of a “wasp network” of Cuban spies, who report on the activities of Brothers to the Rescue to their handler Manuel ().

Wasp Network sees Edgar Ramírez reunite with Carlos director Olivier Assayas to tell the true story of Cuban spies, who infiltrated the United States in the 1990s. René González is man of divided loyalties between the cause and his family, who tries for years to bring to the U.S. with him. Unbeknownst to René, the FBI has taken an interest in his activities, which puts both his family and the wasp network at risk.

Wasp Network

While Wasp Network is decent enough political thriller, it does have the problem of trying to fit nearly a decades’ worth of events into 125 minutes running time. This results in some plotlines and characters, particularly Ana de Armas’ Ana Margarita, to get lost in the shuffle. In retrospect, Olivier Assayas should have gone a similar route as Carlos and make Wasp Network into 5+ hour film/miniseries. However, that doesn’t mean that the film isn’t still worth checking out in its current form.

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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