The Midnight After – Reel Asian 2014

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MidnightAfter From Hong Kong filmmaker Fruit Chan (Three… Extremes) comes the darkly comic thriller .  Late one night, a bunch of strangers, including Yau Tsi-chi (Wong You-nam), Yuki (Janice Man), Uncle Fat (), and Shun (Chui Tien-you), boards a minibus heading to the Hong Kong district of Tai Po.  By the time they arrive at their destination, these 17 individuals discover that they are the only ones around.  Uncle Fat takes leadership of the group, who gather together in a restaurant to try and piece together what is happening. Featuring everything from horrific sequences to comedic musical numbers, one thing that’s for certain about The Midnight After is that it’s a pretty unusual film.  At its core, the film is about this group of people, who are apparently the soul survivors of some mysterious pandemic.  It is never fully explained what happened in Tai Po, though there are hints given, including sightings of a group of men in black hazmat suits and gasmasks.  Each of the characters have their own interesting backstory, such as Uncle Fat being an ex-football player and gangster and Mook Sau-ying (Kara Hui), who is an insurance broker moonlighting as a crazed mystic. It’s hard to gauge what type of tone The Midnight After is going for, since one second the film has characters getting infected and dying in sudden and gory ways, while the next second there is a full on sing-a-long of ‘s “Space Oddity.”  While the film is mostly played for laughs, the film gets pretty dark towards the end, as the group copes with a pretty atrocious act.  While it remains pretty ambiguous about what exactly happened to these individuals, The Midnight After is an interesting, and often entertaining, film.8 | LIKED IT

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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