Tim Doiron
☼ Born on 21 December 1979, in Fredericton, New Brunswick, Canada
BiographyTim Doiron is co-founder of the award winning production company Wango Films alongside business partner April Mullen. Doiron has produced and written the majority of the company's feature films, including: CSA Nominated, 88; Dead Before Dawn 3D, which was awarded The Perron Crystal Award for its achievement in 3D; GravyTrain and Rock, Paper, Scissors: The Way of the Tosser, both of which were seen in festivals around the world and released by eOne. Doiron produced Farhope Tower, a paranormal thriller that had its world premiere at Fright Fest in London, England, and won two awards at its Canadian Premiere at the Blood In The Snow Fest in Toronto. As a writer, Doiron has twice been nominated for a Canadian Comedy Award and is head writer and supervising producer on the TV series, Real Detective-- Investigative Discovery's flagship narrative series. Doiron has attended Producer Events around the world including: Producers Without Borders (Berlinale - Feb. 2016) Strategic Partners (2015), Cannes Marche du Film, Producer's Network (2015, 2014, 2012), TIFF Producer's Network (2013) and IFF (2013). Doiron has also attended film markets around the world including: Cannes, Berlinale, TIFF, AFM, Banff TV Summit, MIPcom, Tokyo Film Market and the 3D Stereo Media Summit in Liege, Belgium. As a Producer, Doiron's next two feature films with Wango are: Bloody Knuckles(2017), an Irish/Canada Co-Pro, in conjunction with Alcina Pictures and Wander(2017).


In the role of actor

88 (09/05/2015)

A woman seeks revenge while under a fugue state in 88.  Gwen (Katharine Isabelle) finds herself in a diner with no knowledge with how she got there.  It turns out that Gwen went into a fugue state after the murder of her boyfriend and she developed an alterego named Flamingo.  The action switches between Gwen’s […]

Dead Before Dawn 3D (18/02/2013)

The closing film of the TIFF Next Wave Film Festival for Youth was the official North American premiere of this Canadian horror-comedy, which put a twist on the overused zombie apocalypse premise.  The film is notable for the fact that it is the first Canadian film to be shot in stereoscopic 3D (more on that […]