Roland Emmerich
☼ Born on 10 December 1955, in Stuttgart, Baden-Württemberg, Germany
Biography
Roland Emmerich is a German film director and producer of blockbuster films like The Day After Tomorrow (2004), Godzilla (1998), Independence Day (1996) and The Patriot (2000). Before fame, he originally wanted to be a production designer, but decided to be a director, after watching the original Star Wars: Episode IV - A New Hope (1977). Emmerich began his career in his native Germany. In his youth, he pursued painting and sculpting. While enrolled in the director's program at film school in Munich, his student film The Noah's Ark Principle (1984) went on to open the 1984 Berlin Film Festival. The feature became a huge success and was sold to more than 20 countries. In an amazing trivia, he directed his first feature, The Noah's Ark Principle (1984), in 1984. He is openly gay and a campaigner for the LGBT community.
A director/writer/producer with a flair for special effects-driven action, German Roland Emmerich made himself at home in blockbuster-hungry 1990s Hollywood. Born and educated in West Germany, Emmerich studied production design as well as direction at the Munich Film and Television School. After his student film, The Noah's Ark Principle, debuted at the 1984 Berlin Film Festival, Emmerich formed his production company Centropolis and directed supernatural fantasies Making Contact (1986) and Ghost Chase (1987), and the straight-to-video action film Moon 44 (1990). On the latter, he met actor Dean Devlin who subsequently switched jobs to become Emmerich's writing
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and producing partner once Emmerich set up shop in Hollywood.
After making his solo Hollywood debut directing Jean-Claude Van Damme in the cyborg action fest Universal Soldier (1992), Emmerich and Devlin revealed a talent for conjuring A-level action spectacles out of B-movie scenarios with their first film together, Stargate (1994). A space odyssey mixing ancient Egyptiana and high-tech wizardry, Stargate became an unexpected hit. Emmerich hit his blockbuster stride with his next film, Independence Day (1996). With its eye-popping destruction of major cities and climactic annihilation of a spacecraft via portable computer, Independence Day blew away its summer movie competition on the strength of its visual flash. Geared to repeat with the endlessly- and creatively-hyped version of Godzilla (1998), Emmerich instead faced the conundrum of directing a $100 million grossing film that did not live up to box office expectations. Emmerich and Devlin next turned their epic visions to the decidedly lower-tech (but still CGI-enhanced) action of the American Revolution in the Mel Gibson summer vehicle The Patriot (2000).
In the role of director
Independence Day: Resurgence (25/06/2016)
The alien invaders return to Earth two decades after the original attack in Independence Day: Resurgence. Twenty years has passed since the “War of 1996,” during which humanity barely survived an alien invasion. However, in the decades following the war, humanity has come together as one and they have used their combined strength and alien technology […]
Anonymous (29/10/2011)
For most of his career Roland Emmerich became well known for his knack of blowing up the world real good. He is also one of the most critically loathed directors, with all but two of films receiving a Rotten rating on Rotten Tomatoes. I personally didn’t mind his disaster films and even used his films The Day After […]
2012 (15/11/2009)
Even though I think of the whole “2012 End of the World” scenario to be the latest in a series of apocalyptic conspiracy theories that pop up every decade or two (remember Y2K?), I do have to agree that Roland Emmerich can make a pretty gosh darn good disaster film. I found the film was […]