Level 16 – Blood in the Snow 2018

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Level 16

A group of teenage girls begin to learn the dark secrets of their boarding school in . Since a young age the girls of The Vestalis Academy are taught by their headmistress Miss Brixil () and Dr. Dr. Miro () to live by the seven virtues of femininity, so they will be adopted by a good family when they graduate. Vivien (Katie Douglas) has just entered the final year on Level 16, along with fellow girls Ava (Alexis Whelan) and Rita (Amalia Williamson). On Level 16, Vivien is reunited with her former friend Sophia (Celina Martin), who helps to enlighten Vivien about the true nature Vestalis.

Level 16 is a dystopian science fiction story from writer/director Danishka Esterhazy (H & G). Featuring a story that can easily compared to Margaret Atwood’s The Handmaid’s TaleLevel 16 takes place at a prison-like boarding school, where the girls must display virtues such as obedience and cleanliness, or else they will be taken downstairs and punished. Having been punished once before, Vivien gives the outward appearance of following the rules, however she is greatly struggling, which worsens when she begins to find out what the true nature of The Vestalis Academy is.

Level 16 is a film that is both very bleak, yet also quite outstanding. The plot of the film is told almost entirely from the perspective of Vivien and Danishka Esterhazy structures the film, so we learn more details about the true nature of this boarding school at the same time that Vivien does. It can be said that Level 16 is a very feminist story, as it is ultimately about these girls fighting against a predefined societal norm and becoming their own independent people. This is definitely a must watch film in the age of #MeToo.

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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