The Nights Before Christmas – Blood in the Snow 2019

nightsbeforechristmas

The axe-wielding killers dressed as Santa and Mrs. Claus return in . It has been one year since the killing spree of Nicolas Conway () and Michelle Weaver (Jennifer Willis), who terrorized the town of Woodbridge, dressed as Santa and Mrs. Claus respectively. With survivors Courtney (Keegan Chambers) and Jennifer (Shannon Cotter) still dealing with post-traumatic stress, a new killing spree starts up, with the victims found labelled naughty or nice. This leads to very ambitious FBI Special Agent Natalie Parker (Kate Schroder) to play a deadly game of cat and mouse with the killers and to discover what their endgame is.

The Nights Before Christmas sees director Paul Tanter and writer/star Simon Phillips return with a sequel to their 2017 Christmas slasher film Once Upon a Time at Christmas. The film once again finds Philps and Jennifer Willis as the murderous Santa and Mrs. Claus, who once again begin a murderous spree. Special Agent Natalie Parker initially believes that the endgame is once again Nicolas Conway’s daughter Jennifer, however, evidence begins to point to the murderous duo having much more ambitious plans this time around.

The Nights Before Christmas

When I reviewed Once Upon a Time at Christmas two years ago, I criticized that film’s mean spirited tone, but ultimately gave it a mild pass. Sadly, that is not the case this time around. The Nights Before Christmas is a completely tasteless and poorly written gorefest that fetishizes its violence, has very few sympathetic characters and features some of the most stupid plot developments I have seen. Admittedly, The Nights Before Christmas is once again a quite well-produced film, but so is pornography, which this film heavily borders upon.

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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