Terraformars

Terraformars

Terraformars

A group of desperate individuals fly to Mars to rid the planet of mutant cockroaches in . In the year 2599, scientists have succeeded in terraforming Mars to make it fit for human emigration. However, the planet must first be rid of cockroaches, who have evolved into human-like form and are known as Terraformars. Eccentric scientist Ko Honda () recruits a crew of money-desperate lowlifes, including Shokichi Komachi (), Jim Muto (), and Asuka Moriki (), to travel to Mars and exterminate the cockroaches. The help achieve this, Honda has genetically modified the crew to be able to transform into human/insect hybrids with unique superpowers.

Takashi Miike directs this adaptation of the manga series by Yū Sasuga and Kenichi Tachibana. The film takes place over 500 years in the future, where Earth has become extremely over-populated and humanity needs to find a new home. Thankfully, scientists have used mass quantities of moss and cockroaches to make Mars a livable planet for humans to emigrate to. The problem is that the terraforming sped up the cockroaches’ evolution cycle, turning them into human-like monstrosities. As such, it is the job of the crew of BUG-2 to exterminate the Terraformars and make Mars safe for humanity.

If you combined Starship Troopers with Power Rangers and The Fly, you would have a rough idea at the type of film Terraformars is. Each member of BUG-2 has their own unique insect superpower, which is explained through narration every time one of them transforms. While Terraformars doesn’t have the deepest plot, the film is heavy on violent action, with there being heavy casualties on both sides of this conflict. While probably not one of Takashi Miike’s best films, Terraformars is still solid popcorn entertainment.

7 / 10 stars
7 15  FAIR  

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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