Self(less) Portrait

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Self_(less)_Portrait This semi-experimental documentary features intimate confessional interviews with 50 unique individuals. Sitting in front of a blank white screen, these people talk about everything from relationships, the search for identity, family violence, depression, suicide, sexuality, mental illness, aliens, religion and death.  These interviews are accompanied by a subtle synthesized score and the occasion inclusion of experimental visuals. Probably the biggest issue with is the film’s length.  With a 98 minute running time, the film is way too long for what it is and it quickly became a chore to sit through.  While the various confessional interviews are interesting to listen to, there came a point when I was just waiting for the film to end.  It didn’t really help that the film often featured cutaway shots, which resulted in false expectations that the film was wrapping up, only for another interview to start.  Self(less) Portrait would have been much more enjoyable if it was presented as a short film, which ended after 10-20 minutes. Of the 50 or so individuals featured in the film, only two or three left a lasting impression.  These individuals included a tattooed guy with a mohawk and a another who seemed to be a professional wrester.  There was also someone, who showed up towards the end of the film and started talking about aliens, which was a change from the usual life and death discussions featured in the film.  Overall, while Self(less) Portrait started off interesting, it seemingly did not know when to end, resulting in a very hard to sit through viewing experience.6 | WATCHABLE

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Self(less)-Portrait (2012)
Runtime:45 minutes
Director:Matej Bobrik
Country:Poland
Writer:
Plot:
Documentary filmmaker Matej Bobrik turns the camera on himself at a time of change in his life, defined by his relationship to two women: his grandmother, with whom he talks only on the telephone ever since the recent death of his mother, and his new Japanese wife, whom he married in part to help her deal with the Polish authorities. Tellingly, Bobrik records only moments of transition, but not their causes or consequences.

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