Fear Itself

Fear Itself

Fear Itself

The relationship between horror films and the human desire for fear is explored in . An female narrator speaks about watching horror films night after night, while recovering from an accident. As clips play from a wide variety of films from the genre, ranging from familiar classics to obscure foreign titles, the narrator speaks about desiring the rush the fear from these films bring.

Filmmaker Charlie Lyne follows up his debut feature Beyond Clueless with another cinematic essay, which this time focuses on the horror genre. Built around its narration by actress Amy E Watson, Fear Itself consists entirely of clips from various horror films. While there are some familiar titles featured, such as Psycho and The Exorcist, there seems to be a heavy focus on obscure or foreign horror films, which would be practically unknown to all but the most devout fan of the genre. As the clips play, the narration talks about how horror films seem to know how to scare you, with you not knowing when fear is going to come.

Even though I was not a fan of Beyond Clueless, I had some high hopes for Fear Itself and I actually believed that the film started off strong, with the documentary being appropriately atmospheric. However, the film started to lose me when it started showing clips from decidedly non horror films, such as Gravity, Elephant, and Alive. This seems to suggest that there wasn’t really a clear sense of direction for the film, with Fear Itself‘s thesis involving the human need for fear being vague at best. I would actually recommended seeking out the more balanced 2014 documentary Why Horror? and staying clear of Fear Itself.

4 / 10 stars
4  DISAPPOINTED 

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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