Men in Black III

MeninBlack3

MeninBlack3

It would be understandable for someone to be apprehensive about a second sequel to the sci-fi/comedy Men in Black.  2002’s Men in Black II didn’t have the same charm as the 1997 original and the fact that it took a full decade for a third chapter to be made seemed to hint that people weren’t exactly clamoring for a third chapter.

However, when it is all said and done, I thought that  was a pretty decent film and a huge improvement from the last one.  That said, it was still not on par with the first film.

The standout for the film was definitely Flight of the Conchord’s Jemaine Clement as the delightfully evil villain Boris the Animal.  He steals the show whenever he’s on screen, so it’s a shame that he only appears in the film sporadically.

The other standout in the film (who’s on-screen for longer) is Brolin as the younger version of Tommy ‘ character Agent Kay.  Brolin does a spot-on impersonation of Jones (who is relegated to extended cameo status) and had great chemistry with ‘s Agent Jay.

The actual plot of the film has Jay going back in time to 1969 to prevent Boris from killing Kay and altering the timeline.  It’s probably not the most original plot in the world, but I thought it worked.  However, there is an odd supporting character played by Michael Stuhlbarg, who I am sure would annoy some viewers (mostly because he is so odd and childlike).  They also decided to tie together the film as the final chapter of a trilogy with a plot revelation that may seem shoehorned to some (though I didn’t mind it).

Overall, for a sequel that had low expectations all around, I would say that Men in Black III was worth my time.

 8 | LIKED IT 

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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