Saloum – TIFF21

saloum

A group of mercenaries end taking refuge in a mysterious region of Senegal in . Guinea-Bissau’s coup d’état of 2003, the mercenary group Bangui’s Hyenas consisting of Chaka (), Rafa (), and Minuit (), extract cartel member Felix () and his cargo of gold and drugs, with the group boarding a plane towards Dakar. However, when the plane runs out of fuel, the group has to make a crash landing, with Chaka recommending his old home in the Sine-Saloum . Taking shelter at a camp run by Omar (), the Hyenas plan to lay low for a few days, while they repair and refuel the plane. However, the group’s safety is put at risk with the arrival of suspicious police captain Souleymane () and the enigmatic deaf and mute woman Awa ().

Saloum is a Western-Horror hybrid film by Senegal-based filmmaker Jean Luc Herbulot. Taking pages from Robert Rodriguez’s From Dusk Til Dawn, the film begins a revenge-themed western, before moving into supernatural horror as it is revealed that the Sine-Saloum Delta is home to many vengeful spirits. At the centre of the story of Saloum is the Black Hyenas’ leader Chaka, who had a traumatic childhood experience in the Sine-Saloum Delta and has vengeance on his mind, though he does not account for the consequences of his actions.

Saloum starts off with a very strong first half, with its excellent opening scene and a western crime-film narrative that seems to be taken from the pages of and Robert Rodriguez. The film’s second-half switch to supernatural horror, while based on the folklore of the area, is not as strong and leads to a somewhat anti-climatic conclusion for the film. However, as a genre film coming out of Senegal, Saloum is still somewhat of an accomplishment.

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Saloum is screening as part of Midnight Madness at the 2021 Toronto International Film Festival


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Trailer for Saloum – TIFF21

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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