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The Ambassador


ambassadorThis is one of those “I can’t believe he did that” types of documentaries.  In , Danish journalist Mads Brügger goes undercover as a Liberian diplomat in order to infiltrate the blood diamond trade in the Central African Republic.  It is a very dangerous act of deception and Brügger is warned that if he is exposed, the best possible outcome would be jail time and the worst possible outcome would be that Brügger ends up dead on the side of the road. The film is entirely shot guerrilla-style with hidden cameras, with accompanying narration by Brügger to give the context of the situation.  In some ways, the film feels more like a narrative film than a documentary.  Perhaps its because it’s hard to comprehend that Brügger was able to convince so many people that he was a diplomat (the constant bribes he gave away probably helped).  However, there is a recurring issue involving how he didn’t hire the most competent people to create his fake diplomatic identity and he did not possess the proper paperwork to gain full diplomatic immunity.  This becomes a problem for Brügger as he gets deeper integrated into the diamond trade.  The film also exposes much of the shady politics present within the, French controlled, Central African Republic.  In fact, one of the people Brügger talks to ends up being found dead and the fact that Brügger possesses illegally-recorded footage of the individual becomes a matter of concern. Overall, while the film does have some lulls to it, I found The Ambassador to be a very interesting exposé of the diamond trade in Africa and how it is apparently quite easy to fool people into thinking that you are a diplomat.8 | LIKED IT

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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