Dead Mail – TIFF 2024

Dead Mail TIFF 2024

Content Advisory: Kidnapping

A kidnapped man desperately drops a note requesting help into a mailbox in . (), a kidnapped synthesizer engineer, crawls his way out of the house he is chained to and drops a call for help into the mailbox before his kidnapper and former business partner Trent () returns home. The note ends up on the desk of Jasper (), the dead mail investigator at the local post office. At the urging of his co-workers Ann () and Bess (), Jasper begins to investigate the source of the note with the help of his Scandinavian hacker contact Renée ().

Dead Mail Synopsis

Dead Mail is a kidnapping thriller written and directed by Joe DeBoer and Kyle McConaghy. In the film’s set-up, a bloodstained note ends up on the investigation desk of Dead Mail Investigator Jasper. Initially believing the note to be a sick joke, Jasper eventually decides to look into the source of the note. The plot of the film soon rewinds to tell the story of a man named Trent, who partners up with synthesizer engineer Josh, as the two begin developing a prototype. However, Trent soon becomes spiteful of what he perceives to be a betrayal by Josh.

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My Thoughts on Dead Mail

With a retro 1970s aesthetic and an synthesizer-heavy score, Joe DeBoer and Kyle McConaghy channel the films of Peter Strickland (Berberian Sound Studio, Flux Gourmet) with their kidnapping thriller Dead Mail. Similar to Strickland’s In Fabric, Dead Mail switch perspectives between different protagonists, beginning with the investigator Jasper, rewinding to tell the backstory of Trent and Josh, and finally focusing on Jasper’s co-workers Ann and Bess. Of the ensemble cast of Dead Mail, it is John Fleck as Trent, who leaves the most lasting impression, as a character who is equal parts sad and pathetic and sinister. Altogether, Dead Mail is a solid, yet quite low-key, kidnapping thriller.

Trailer for Dead Mail – TIFF 2024

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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