With Love and a Major Organ – Fantasia 2023

With Love and a Major Organ

A lonely woman literally gives her heart to the man of her dreams in . In the not-so-distant future, every aspect of people’s life is controlled by an app called LifeZapp, which consequently makes most people devoid of authentic emotional connections. Anabel () is an aspiring artist working for an insurance company, who is resisting the suggestions of her friend Casey () to start using the app. Anabel falls for a man named George (), who she sees in the park reading yesterday’s newspaper. However, when George turns down her advances, it results in both figurative and literal heartbreak for Anabel.

With Love and a Major Organ Synopsis

With Love and a Major Organ is the feature debut from director Kim Albright, written by Julia Lederer, based on her acclaimed play and audio drama. The film stars Maguire (Violation) as Anabel, one of the few remaining people not dependent on having their life controlled by the app LifeZapp. When Anabel first sees George, played by Hamza Haq (Viking), he is seen throwing his glowing blue heart off of a cliff. Anabel ends up literally giving her heart to George after he breaks it, and it ends up making significant changes to both their lives.

My Thoughts on With Love and a Major Organ

With Love and a Major Organ is built around an excellent lead performance by Anna Maguire, who is able to progress from recording love poems in neon-lit fantasy sequences to having a significant change in personality in the second half when she quite literally becomes a heartless individual. The film is obviously a metaphor for how our dependence on technology can prevent the development of true interpersonal connections. With its mix of comedy, romance, fantasy, and science fiction, With Love and a Major Organ is a truly magnificent film.

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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